1.)Suan Eket
Narrated by Manuel Reyes, a Tagalog from Rizal province.
Many  years ago there lived in the country of Campao a boy named Suan. While  this boy was studying in a private school, it was said that he could not  pronounce the letter x very well–he called it “eket.” So his  schoolmates nick-named him “Suan Eket.” Finally Suan left school,  because, whenever he went there, the other pupils always shouted at him,  “Eket, eket, eket!”
He  went home, and told his mother to buy him a pencil and a pad of paper.  “I am the wisest boy in our town now,” said he. One night Suan stole his  father’s plough, and hid it in a creek near their house. The next  morning his father could not find his plough. “What are you looking  for?” said Suan. “My plough,” answered his father.
“Come  here, father! I will guess where it is.” Suan took his pencil and a  piece of paper. On the paper he wrote figures of various shapes. He then  looked up, and said, “Ararokes, ararokes, Na na nakawes Ay na  s’imburnales,”-which meant that the plough had been stolen by a neighbor  and hidden in a creek. Suan’s father looked for it in the creek near  their house, and found it. In great wonder he said, “My son is truly the  wisest boy in the town.”
News  spread that Suan was a good guesser. One day as Suan was up in a  guava-tree, he saw his uncle Pedro ploughing. At noon Pedro went home to  eat his dinner, leaving the plough and the carabao in the field. Suan  got down from the tree and climbed up on the carabao’s back. He guided  it to a very secret place in the mountains and hid it there. When Pedro  came back, he could not find his carabao. A man who was passing by said,  “Pedro, what are you looking for?” “I am looking for my carabao.  Somebody must have stolen it.” “Go to Suan, your nephew,” said the man.  “He can tell you who stole your carabao.” So Pedro went to Suan’s house,  and told him to guess who had taken his carabao. Suan took his pencil  and a piece of paper. On the paper he wrote some round figures. He then  looked up, and said,
“Carabaues, carabaues, Na nanakawes Ay na sa bundokes,”–
which  meant that the carabao was stolen by a neighbor and was hidden in the  mountain. For many days Pedro looked for it in the mountain. At last he  found it in a very secret place. He then went to Suan’s house, and told  him that the carabao was truly in the mountain. In great wonder he said,  “My nephew is surely a good guesser.” One Sunday a proclamation of the  king was read. It was as follows: “The princess’s ring is lost. Whoever  can tell who stole it shall have my daughter for his wife; but he who  tries and fails, loses his head.” When Suan’s mother heard it, she  immediately went to the palace, and said, “King, my son can tell you who  stole your daughter’s ring.” “Very well,” said the king, “I will send  my carriage for your son to ride to the palace in.” In great joy the  woman went home. She was only ascending the ladder when she shouted,  “Suan Suan, my fortunate son!”
“What is it, mother?” said Suan.
“I told the king that you could tell him who stole the princess’s ring.”
“Foolish  mother, do you want me to die?” said Suan, trembling. Suan had scarcely  spoken these words when the king’s carriage came. The coachman was a  courtier. This man was really the one who had stolen the princess’s  ring. When Suan was in the carriage, he exclaimed in great sorrow,  “Death is at hand!”
Then  he blasphemed, and said aloud to himself, “You will lose your life  now.” The coachman thought that Suan was addressing him. He said to  himself, “I once heard that this man is a good guesser. He must know  that it was I who stole the ring, because he said that my death is at  hand.” So he knelt before Suan, and said, “Pity me! Don’t tell the king  that it was I who stole the ring!” Suan was surprised at what the  coachman said. After thinking for a moment, he asked, “Where is the  ring?” “Here it is.” “All right! Listen, and I will tell you what you  must do in order that you may not be punished by the king. You must  catch one of the king’s geese tonight, and make it swallow the ring.”
The  coachman did what Suan had told him to do. He caught a goose and opened  its mouth. He then dropped the ring into it, and pressed the bird’s  throat until it swallowed the ring.
The  next morning the king called Suan, and said, “Tell me now who stole my  daughter’s ring.” “May I have a candle? I cannot guess right if I have  no candle,” said Suan. The king gave him one. He lighted it and put it  on a round table. He then looked up and down. He went around the table  several times, uttering Latin words. Lastly he said in a loud voice, “Mi  domine!”
“Where is the ring?” said the king.
Suan replied,–
“Singsing  na nawala Ninakao ang akala Ay nas’ ‘big ng gansa,” which meant that  the ring was not stolen, but had been swallowed by a goose. The king  ordered all the geese to be killed. In the crop of one of them they  found the ring. In great joy the king patted Suan on the back, and said,  “You are truly the wisest boy in the world.” The next day there was a  great entertainment, and Suan and the princess were married.
2.)The Small Key
by Paz M. Latovena
It  was  lonely dwelling located far from its neighbors, which were huddled  close  to one another as if for mutual comfort. It was flanked on both  sides  by tall, slender bamboo tree which rustled plaintively under a  gentle  wind.
On  the  porch  a woman past her early twenties stood regarding the scene  before  her with eyes made incurious by its familiarity. All around her  the land  stretched endlessly, it seemed, and vanished into the  distance. There  were dark, newly  plowed furrows where in due time  timorous seedling  would give rise to sturdy stalks and golden grain, to  a rippling yellow  sea in the wind and sun during harvest time. Promise  of plenty and  reward for hard toil! With a sigh of discontent,  however, the woman  turned and entered a small dining room where a man  sat over a belated a  midday meal.
Pedro   Buhay, a prosperous farmer, looked up from his plate and smiled at his   wife as she stood framed by the doorway, the sunlight glinting on her   dark hair, which was drawn back, without relenting wave, from a rather   prominent and austere brow.
“Where are the shirts I ironed yesterday?” she asked as she approached the table.
“In my trunk, I think,” he answered.
“Some of them need darning,” and observing  the empty plate, she added, “do you want some more rice?”
“No,” hastily, “I am in a burry to get back. We must finish plowing the south field today because tomorrow is Sunday.”
Pedro pushed the chair back and stood up. Soledad began  to pile the dirty dishes one on top of the other.
“Here  is  the key to my trunk.” From the pocket of his khaki coat he pulled a   string of non descript red which held together a big shiny key and   another small, rather rusty looking one.
With   deliberate care he untied the knot and, detaching the big key, dropped   the small one back into his pocket. She watched him fixedly as he did   this. The smile left her face and a strange look came into her eyes as   she took the big key from  him without a word. Together they left the   dining room.
Out of the porch he put an arm around her shoulders and peered into her shadowed face.
“You look pale and tired,” he remarked softly. “What have you been doing all morning?”
“Nothing,” she said listlessly. “But the heat gives me a headache.”
“Then lie down and try to sleep while I am gone.” For a moment they looked deep into each other’s eyes.
“It is really warm,” he continued. “I think I will take off my coat.”
He removed the garment absent mindedly and handed it to her. The stairs creaked under his weight as he went down.
“Choleng,”   he turned his head as he opened the gate, “I shall pass by Tia Maria’s   house and tell her to come. I may not return before dark.”
Soledad   nodded. Her eyes followed her husband down the road, noting the fine   set of his head and shoulders, the case of his stride. A strange ache   rose in her throat.
She   looked at the coat he had handed to her. It exuded a faint smell of  his  favorite cigars, one of which he invariably smoked, after the day’s   work, on his way home from the fields. Mechanically, she began to fold   the garment.
As  she  was doing so, s small object fell from the floor with a dull,  metallic  sound. Soledad stooped down to pick it up. It was the small  key! She  stared at it in her palm as if she had never seen it before.  Her mouth  was tightly drawn and for a while she looked almost old.
She   passed into the small bedroom and tossed the coat carelessly on the  back  of a chair. She opened the window and the early afternoon sunshine   flooded in. On a mat spread on the bamboo floor were some newly washed   garments.
She  began  to fold them one by one in feverish haste, as if seeking in the  task of  the moment in refuge from painful thoughts. But her eyes moved   restlessly around the room until they rested almost furtively on a  small  trunk that was half concealed by a rolled mat in a dark corner.
It  was a  small old trunk, without anything on the outside that might  arouse one’s  curiosity. But it held the things she had come to hate  with unreasoning  violence, the things that were causing her so much  unnecessary anguish  and pain and threatened to destroy all that was  most beautiful between  her and her husband!
Soledad   came across a torn garment. She threaded a needle, but after a few   uneven stitches she pricked her finger and a crimson drop stained the   white garment. Then she saw she had been mending on the wrong side.
“What is the matter with me?” she asked herself aloud as she pulled the thread with nervous and impatient fingers.
What did it matter if her husband chose to keep the clothes of his first wife?
“She is dead anyhow. She is dead,” she repeated to herself over and over again.
The  sound  of her own voice calmed her. She tried to thread the needle once  more.  But she could not, not for the tears had come unbidden and  completely  blinded her.
“My God,” she cried with a sob, “make me forget Indo’s face as he put the small key back into his pocket.”
She   brushed her tears with the sleeves of her camisa and abruptly stood  up.  The heat was stifling, and the silence in the house was beginning  to be  unendurable. 
She   looked out of the window. She wondered what was keeping Tia Maria.   Perhaps Pedro had forgotten to pass by her house in his hurry. She could   picture him out there in the south field gazing far and wide at the   newly plowed land with no thought in his mind but of work, work. For to   the people of the barrio whose patron saint, San Isidro Labrador,  smiled  on them with benign eyes from his crude altar in the little  chapel up  the hill, this season was a prolonged hour during which they  were blind  and dead to everything but the demands of the land.
During   the next half hour Soledad wandered in and out of the rooms in effort  to  seek escape from her own thoughts and to fight down an overpowering   impulse. If Tia Maria would only come and talk to her to divert her   thoughts to other channels!
But  the  expression on her husband’s face as he put the small key back into  his  pocket kept torturing her like a nightmare, goading beyond  endurance.  Then, with all resistance to the impulse gone, she was  kneeling before  the small trunk. With the long drawn breath she  inserted the small key.  There was an unpleasant metallic sound, for the  key had not been used  for a long time and it was rusty.
That   evening Pedro Buhay hurried home with the usual cigar dangling from  his  mouth, pleased with himself and the tenants because the work in the   south field had been finished. Tia Maria met him at the gate and told   him that Soledad was in bed with a fever.
“I shall go to town and bring Doctor Santos,” he decided, his cool hand on his wife’s brow.
Soledad opened her eyes.
“Don’t,   Indo,” she begged with a vague terror in her eyes which he took for   anxiety for him because the town was pretty far and the road was dark   and deserted by that hour of the night. “I shall be alright tomorrow.”
Pedro   returned an hour later, very tired and very worried. The doctor was  not  at home but his wife had promised to give him Pedro’s message as  soon as  he came in.
Tia   Maria  decide to remain for the night. But it was Pedro who stayed up  to  watch the sick woman. He was puzzled and worried – more than he  cared  to admit it. It was true that Soledad did not looked very well  early  that afternoon. Yet, he thought, the fever was rather sudden. He  was  afraid it might be a symptom of a serious illness.
Soledad   was restless the whole night. She tossed from one side to another, but   toward morning she fell into some sort of troubled sleep. Pedro then  lay  down to snatch a few winks.
He  woke  up to find the soft morning sunshine streaming through the  half-open  window. He got up without making any noise. His wife was  still asleep  and now breathing evenly. A sudden rush of tenderness came  over him at  the sight of her – so slight, so frail.
Tia  Maria  was nowhere to be seen, but that did not bother him, for it was  Sunday  and the work in the south field was finished. However, he missed  the  pleasant aroma which came from the kitchen every time he had  awakened  early in the morning. 
The   kitchen was neat but cheerless, and an immediate search for wood  brought  no results. So shouldering an ax, Pedro descended the rickety  stairs  that led to the backyard.
The   morning was clear and the breeze soft and cool. Pedro took in a deep   breath of air. It was good – it smelt of trees, of the ricefields, of   the land he loved.
He  found a  pile of logs under the young mango tree near the house and  began to  chop. He swung the ax with rapid clean sweeps, enjoying the  feel of the  smooth wooden handle in his palms.
As he stopped for a while to mop his brow, his eyes caught the remnants of a smudge that had been built in the backyard. 
“Ah!”  he  muttered to himself. “She swept the yard yesterday after I left  her.  That, coupled with the heat, must have given her a headache and  then the  fever.”
The morning breeze stirred the ashes and a piece of white cloth fluttered into view.
Pedro   dropped his ax. It was a half-burn panuelo. Somebody had been burning   clothes. He examined the slightly ruined garment closely. A puzzled   expression came into his eyes. First it was doubt groping for truth,   then amazement, and finally agonized incredulity passed across his face.   He almost ran back to the house. In three strides he was upstairs. He   found his coat hanging from the back of a chair.
Cautiously   he entered the room. The heavy breathing of his wife told him that she   was still asleep. As he stood by the small trunk, a vague distaste to   open it assailed to him. Surely he must be mistaken. She could not have   done it, she could not have been that… that foolish.
Resolutely he opened the trunk. It was empty.
It  was  nearly noon when the doctor arrived. He felt Soledad’s pulse and  asked  question which she answered in monosyllables. Pedro stood by  listening  to the whole procedure with an inscrutable expression on his  face. He  had the same expression when the doctor told him that nothing  was really  wrong with his wife although she seemed to be worried about  something.  The physician merely prescribed a day of complete rest.
Pedro   lingered on the porch after the doctor left. He was trying not to be   angry with his wife. He hoped it would be just an interlude that could   be recalled without bitterness. She would explain sooner or later, she   would be repentant, perhaps she would even listen and eventually forgive   her, for she was young and he loved her. But somehow he knew that this   incident would always remain a shadow in their lives.
THROUGH  the open window the air-steeped outdoors passed into his  room, quietly  enveloping him, stealing into his very thought. Esperanza,  Julia, the  sorry mess he had made of life, the years to come even now  beginning to  weigh down, to crush--they lost concreteness, diffused into  formless  melancholy. The tranquil murmur of conversation issued from  the  brick-tiled azotea where Don Julian and Carmen were busy puttering away  among the rose pots.
"Papa, and when will the 'long table' be set?"
"I don't know yet. Alfredo is not very specific, but I understand Esperanza wants it to be next month."
Carmen  sighed impatiently. "Why is he not a bit more decided, I  wonder. He is  over thirty, is he not? And still a bachelor! Esperanza  must be tired  waiting."
"She does not seem to be in much of a hurry either," Don Julian nasally commented, while his rose scissors busily snipped away.
"How  can a woman be in a hurry when the man does not hurry her?"  Carmen  returned, pinching off a worm with a careful, somewhat absent  air.  "Papa, do you remember how much in love he was?"
"In love? With whom?"
"With  Esperanza, of course. He has not had another love affair that I  know  of," she said with good-natured contempt. "What I mean is that at  the  beginning he was enthusiastic--flowers, serenades, notes, and things   like that--"
Alfredo  remembered that period with a wonder not unmixed with shame.  That was  less than four years ago. He could not understand those months  of a  great hunger that was not of the body nor yet of the mind, a  craving  that had seized on him one quiet night when the moon was abroad  and  under the dappled shadow of the trees in the plaza, man wooed maid.  Was  he being cheated by life? Love--he seemed to have missed it. Or was   the love that others told about a mere fabrication of perfervid   imagination, an exaggeration of the commonplace, a glorification of   insipid monotonies such as made up his love life? Was love a combination   of circumstances, or sheer native capacity of soul? In those days love   was, for him, still the eternal puzzle; for love, as he knew it, was a   stranger to love as he divined it might be.
Sitting  quietly in his room now, he could almost revive the  restlessness of  those days, the feeling of tumultuous haste, such as he  knew so well in  his boyhood when something beautiful was going on  somewhere and he was  trying to get there in time to see. "Hurry, hurry,  or you will miss  it," someone had seemed to urge in his ears. So he had  avidly seized on  the shadow of Love and deluded himself for a long while  in the way of  humanity from time immemorial. In the meantime, he became  very much  engaged to Esperanza.
Why  would men so mismanage their lives? Greed, he thought, was what  ruined  so many. Greed--the desire to crowd into a moment all the  enjoyment it  will hold, to squeeze from the hour all the emotion it will  yield. Men  commit themselves when but half-meaning to do so,  sacrificing possible  future fullness of ecstasy to the craving for  immediate excitement.  Greed--mortgaging the future--forcing the hand of  Time, or of Fate.
"What do you think happened?" asked Carmen, pursuing her thought.
"I  supposed long-engaged people are like that; warm now, cool  tomorrow. I  think they are oftener cool than warm. The very fact that an   engagement has been allowed to prolong itself argues a certain   placidity of temperament--or of affection--on the part of either, or   both." Don Julian loved to philosophize. He was talking now with an   evident relish in words, his resonant, very nasal voice toned down to   monologue pitch. "That phase you were speaking of is natural enough for a   beginning. Besides, that, as I see it, was Alfredo's last race with   escaping youth--"
Carmen  laughed aloud at the thought of her brother's perfect physical   repose--almost indolence--disturbed in the role suggested by her   father's figurative language.
"A last spurt of hot blood," finished the old man.
Few  certainly would credit Alfredo Salazar with hot blood. Even his   friends had amusedly diagnosed his blood as cool and thin, citing   incontrovertible evidence. Tall and slender, he moved with an indolent   ease that verged on grace. Under straight recalcitrant hair, a thin face   with a satisfying breadth of forehead, slow, dreamer's eyes, and   astonishing freshness of lips--indeed Alfredo Salazar's appearance   betokened little of exuberant masculinity; rather a poet with wayward   humor, a fastidious artist with keen, clear brain.
He  rose and quietly went out of the house. He lingered a moment on  the  stone steps; then went down the path shaded by immature acacias,   through the little tarred gate which he left swinging back and forth,   now opening, now closing, on the gravel road bordered along the farther   side by madre cacao hedge in tardy lavender bloom.
The  gravel road narrowed as it slanted up to the house on the hill,  whose  wide, open porches he could glimpse through the heat-shrivelled   tamarinds in the Martinez yard.
Six  weeks ago that house meant nothing to him save that it was the   Martinez house, rented and occupied by Judge del Valle and his family.   Six weeks ago Julia Salas meant nothing to him; he did not even know her   name; but now--
One  evening he had gone "neighboring" with Don Julian; a rare enough   occurrence, since he made it a point to avoid all appearance of currying   favor with the Judge. This particular evening however, he had allowed   himself to be persuaded. "A little mental relaxation now and then is   beneficial," the old man had said. "Besides, a judge's good will, you   know;" the rest of the thought--"is worth a rising young lawyer's   trouble"--Don Julian conveyed through a shrug and a smile that derided   his own worldly wisdom.
A  young woman had met them at the door. It was evident from the   excitement of the Judge's children that she was a recent and very   welcome arrival. In the characteristic Filipino way formal introductions   had been omitted--the judge limiting himself to a casual "Ah, ya se  conocen?"--with the consequence that Alfredo called her Miss del Valle  throughout the evening.
He  was puzzled that she should smile with evident delight every time  he  addressed her thus. Later Don Julian informed him that she was not  the  Judge's sister, as he had supposed, but his sister-in-law, and that  her  name was Julia Salas. A very dignified rather austere name, he   thought. Still, the young lady should have corrected him. As it was, he   was greatly embarrassed, and felt that he should explain.
To  his apology, she replied, "That is nothing, Each time I was about  to  correct you, but I remembered a similar experience I had once  before."
"Oh," he drawled out, vastly relieved.
"A  man named Manalang--I kept calling him Manalo. After the tenth  time or  so, the young man rose from his seat and said suddenly, 'Pardon  me,  but my name is Manalang, Manalang.' You know, I never forgave him!"
He laughed with her.
"The  best thing to do under the circumstances, I have found out," she   pursued, "is to pretend not to hear, and to let the other person find   out his mistake without help."
"As you did this time. Still, you looked amused every time I--"
"I was thinking of Mr. Manalang."
Don  Julian and his uncommunicative friend, the Judge, were absorbed  in a  game of chess. The young man had tired of playing appreciative   spectator and desultory conversationalist, so he and Julia Salas had   gone off to chat in the vine-covered porch. The lone piano in the   neighborhood alternately tinkled and banged away as the player's moods   altered. He listened, and wondered irrelevantly if Miss Salas could   sing; she had such a charming speaking voice.
He  was mildly surprised to note from her appearance that she was   unmistakably a sister of the Judge's wife, although DoƱa Adela was of a   different type altogether. She was small and plump, with wide brown   eyes, clearly defined eyebrows, and delicately modeled hips--a pretty   woman with the complexion of a baby and the expression of a likable cow.   Julia was taller, not so obviously pretty. She had the same eyebrows   and lips, but she was much darker, of a smooth rich brown with   underlying tones of crimson which heightened the impression she gave of   abounding vitality.
On  Sunday mornings after mass, father and son would go crunching up  the  gravel road to the house on the hill. The Judge's wife invariably   offered them beer, which Don Julian enjoyed and Alfredo did not. After a   half hour or so, the chessboard would be brought out; then Alfredo and   Julia Salas would go out to the porch to chat. She sat in the low   hammock and he in a rocking chair and the hours--warm, quiet March   hours--sped by. He enjoyed talking with her and it was evident that she   liked his company; yet what feeling there was between them was so   undisturbed that it seemed a matter of course. Only when Esperanza   chanced to ask him indirectly about those visits did some uneasiness   creep into his thoughts of the girl next door.
Esperanza  had wanted to know if he went straight home after mass.  Alfredo  suddenly realized that for several Sundays now he had not waited  for  Esperanza to come out of the church as he had been wont to do. He  had  been eager to go "neighboring."
He  answered that he went home to work. And, because he was not  habitually  untruthful, added, "Sometimes I go with Papa to Judge del  Valle's."
She  dropped the topic. Esperanza was not prone to indulge in  unprovoked  jealousies. She was a believer in the regenerative virtue of   institutions, in their power to regulate feeling as well as conduct. If a   man were married, why, of course, he loved his wife; if he were   engaged, he could not possibly love another woman.
That  half-lie told him what he had not admitted openly to himself,  that he  was giving Julia Salas something which he was not free to give.  He  realized that; yet something that would not be denied beckoned   imperiously, and he followed on.
It  was so easy to forget up there, away from the prying eyes of the   world, so easy and so poignantly sweet. The beloved woman, he standing   close to her, the shadows around, enfolding.
"Up here I find--something--"
He  and Julia Salas stood looking out into the she quiet night.  Sensing  unwanted intensity, laughed, woman-like, asking, "Amusement?"
"No; youth--its spirit--"
"Are you so old?"
"And heart's desire."
Was he becoming a poet, or is there a poet lurking in the heart of every man?
"Down  there," he had continued, his voice somewhat indistinct, "the  road is  too broad, too trodden by feet, too barren of mystery."
"Down  there" beyond the ancient tamarinds lay the road, upturned to  the  stars. In the darkness the fireflies glimmered, while an errant  breeze  strayed in from somewhere, bringing elusive, faraway sounds as of   voices in a dream.
"Mystery--" she answered lightly, "that is so brief--"
"Not in some," quickly. "Not in you."
"You have known me a few weeks; so the mystery."
"I could study you all my life and still not find it."
"So long?"
"I should like to."
Those  six weeks were now so swift--seeming in the memory, yet had  they been  so deep in the living, so charged with compelling power and  sweetness.  Because neither the past nor the future had relevance or  meaning, he  lived only the present, day by day, lived it intensely, with  such a  willful shutting out of fact as astounded him in his calmer  moments.
Just  before Holy Week, Don Julian invited the judge and his family to  spend  Sunday afternoon at Tanda where he had a coconut plantation and a   house on the beach. Carmen also came with her four energetic children.   She and DoƱa Adela spent most of the time indoors directing the   preparation of the merienda and discussing the likeable  absurdities of  their husbands--how Carmen's Vicente was so absorbed in  his farms that  he would not even take time off to accompany her on this  visit to her  father; how DoƱa Adela's Dionisio was the most absentminded  of men,  sometimes going out without his collar, or with unmatched  socks.
After  the merienda, Don Julian sauntered off with the judge to  show him what  a thriving young coconut looked like--"plenty of leaves,  close set,  rich green"--while the children, convoyed by Julia Salas,  found  unending entertainment in the rippling sand left by the ebbing  tide.  They were far down, walking at the edge of the water, indistinctly   outlined against the gray of the out-curving beach.
Alfredo  left his perch on the bamboo ladder of the house and  followed. Here  were her footsteps, narrow, arched. He laughed at himself  for his black  canvas footwear which he removed forthwith and tossed  high up on dry  sand.
When he came up, she flushed, then smiled with frank pleasure.
"I hope you are enjoying this," he said with a questioning inflection.
"Very much. It looks like home to me, except that we do not have such a lovely beach."
There  was a breeze from the water. It blew the hair away from her  forehead,  and whipped the tucked-up skirt around her straight, slender  figure. In  the picture was something of eager freedom as of wings poised  in  flight. The girl had grace, distinction. Her face was not notably   pretty; yet she had a tantalizing charm, all the more compelling because   it was an inner quality, an achievement of the spirit. The lure was   there, of naturalness, of an alert vitality of mind and body, of a   thoughtful, sunny temper, and of a piquant perverseness which is sauce   to charm.
"The afternoon has seemed very short, hasn't it?" Then, "This, I think, is the last time--we can visit."
"The last? Why?"
"Oh, you will be too busy perhaps."
He noted an evasive quality in the answer.
 "Do I seem especially industrious to you?"
"If you are, you never look it."
"Not perspiring or breathless, as a busy man ought to be."
"But--"
"Always unhurried, too unhurried, and calm." She smiled to herself.
"I wish that were true," he said after a meditative pause.
She waited.
"A man is happier if he is, as you say, calm and placid."
"Like a carabao in a mud pool," she retorted perversely
"Who? I?"
"Oh, no!"
"You said I am calm and placid."
"That is what I think."
"I used to think so too. Shows how little we know ourselves."
It was strange to him that he could be wooing thus: with tone and look and covert phrase.
"I should like to see your home town."
"There is nothing to see--little crooked streets, bunut roofs with ferns growing on them, and sometimes squashes."
That  was the background. It made her seem less detached, less  unrelated,  yet withal more distant, as if that background claimed her  and excluded  him.
"Nothing? There is you."
"Oh, me? But I am here."
"I will not go, of course, until you are there."
"Will you come? You will find it dull. There isn't even one American there!"
"Well--Americans are rather essential to my entertainment."
She laughed.
"We live on Calle Luz, a little street with trees."
"Could I find that?"
"If you don't ask for Miss del Valle," she smiled teasingly.
"I'll inquire about--"
"What?"
"The house of the prettiest girl in the town."
"There is where you will lose your way." Then she turned serious. "Now, that is not quite sincere."
"It is," he averred slowly, but emphatically.
"I thought you, at least, would not say such things."
"Pretty--pretty--a foolish word! But there is none other more handy I did not mean that quite--"
"Are you withdrawing the compliment?"
"Re-enforcing it, maybe. Something is pretty when it pleases the eye--it is more than that when--"
"If it saddens?" she interrupted hastily.
"Exactly."
"It must be ugly."
"Always?"
Toward the west, the sunlight lay on the dimming waters in a broad, glinting streamer of crimsoned gold.
"No, of course you are right."
"Why did you say this is the last time?" he asked quietly as they turned back.
"I am going home."
The end of an impossible dream!
"When?" after a long silence.
"Tomorrow. I received a letter from Father and Mother yesterday. They want me to spend Holy Week at home."
She seemed to be waiting for him to speak. "That is why I said this is the last time."
"Can't I come to say good-bye?"
"Oh, you don't need to!"
"No, but I want to."
"There is no time."
The  golden streamer was withdrawing, shortening, until it looked no  more  than a pool far away at the rim of the world. Stillness, a vibrant   quiet that affects the senses as does solemn harmony; a peace that is   not contentment but a cessation of tumult when all violence of feeling   tones down to the wistful serenity of regret. She turned and looked into   his face, in her dark eyes a ghost of sunset sadness.
"Home seems so far from here. This is almost like another life."
"I know. This is Elsewhere, and yet strange enough, I cannot get rid of the old things."
"Old things?"
"Oh,  old things, mistakes, encumbrances, old baggage." He said it  lightly,  unwilling to mar the hour. He walked close, his hand sometimes  touching  hers for one whirling second.
Don Julian's nasal summons came to them on the wind.
Alfredo  gripped the soft hand so near his own. At his touch, the girl  turned  her face away, but he heard her voice say very low, "Good-bye."
II
ALFREDO  Salazar turned to the right where, farther on, the road  broadened and  entered the heart of the town--heart of Chinese stores  sheltered under  low-hung roofs, of indolent drug stores and tailor  shops, of dingy  shoe-repairing establishments, and a cluttered  goldsmith's cubbyhole  where a consumptive bent over a magnifying lens;  heart of old  brick-roofed houses with quaint hand-and-ball knockers on  the door;  heart of grass-grown plaza reposeful with trees, of ancient  church and  convento, now circled by swallows gliding in flight as  smooth and soft  as the afternoon itself. Into the quickly deepening twilight, the voice  of the biggest of the  church bells kept ringing its insistent summons.  Flocking came the  devout with their long wax candles, young women in  vivid apparel (for  this was Holy Thursday and the Lord was still  alive), older women in  sober black skirts. Came too the young men in  droves, elbowing each  other under the talisay tree near the church  door. The gaily decked rice-paper lanterns were again on display while  from  the windows of the older houses hung colored glass globes,  heirlooms  from a day when grasspith wicks floating in coconut oil were  the chief  lighting device.
Soon  a double row of lights emerged from the church and uncoiled down  the  length of the street like a huge jewelled band studded with  glittering  clusters where the saints' platforms were. Above the measured  music  rose the untutored voices of the choir, steeped in incense and  the  acrid fumes of burning wax.
The  sight of Esperanza and her mother sedately pacing behind Our Lady  of  Sorrows suddenly destroyed the illusion of continuity and broke up   those lines of light into component individuals. Esperanza stiffened   self-consciously, tried to look unaware, and could not.
The line moved on.
Suddenly,  Alfredo's slow blood began to beat violently, irregularly. A  girl was  coming down the line--a girl that was striking, and vividly  alive, the  woman that could cause violent commotion in his heart, yet  had no place  in the completed ordering of his life.
Her glance of abstracted devotion fell on him and came to a brief stop.
The  line kept moving on, wending its circuitous route away from the  church  and then back again, where, according to the old proverb, all   processions end.
At  last Our Lady of Sorrows entered the church, and with her the  priest  and the choir, whose voices now echoed from the arched ceiling.  The  bells rang the close of the procession.
A  round orange moon, "huge as a winnowing basket," rose lazily into a   clear sky, whitening the iron roofs and dimming the lanterns at the   windows. Along the still densely shadowed streets the young women with   their rear guard of males loitered and, maybe, took the longest way   home.
Toward  the end of the row of Chinese stores, he caught up with Julia  Salas.  The crowd had dispersed into the side streets, leaving Calle Real  to  those who lived farther out. It was past eight, and Esperanza would  be  expecting him in a little while: yet the thought did not hurry him as   he said "Good evening" and fell into step with the girl.
"I had been thinking all this time that you had gone," he said in a voice that was both excited and troubled.
"No, my sister asked me to stay until they are ready to go."
"Oh, is the Judge going?"
"Yes."
The  provincial docket had been cleared, and Judge del Valle had been   assigned elsewhere. As lawyer--and as lover--Alfredo had found that out   long before.
"Mr. Salazar," she broke into his silence, "I wish to congratulate you."
Her tone told him that she had learned, at last. That was inevitable.
"For what?"
"For your approaching wedding."
Some explanation was due her, surely. Yet what could he say that would not offend?
"I should have offered congratulations long before, but you know mere visitors are slow about getting the news," she continued.
He  listened not so much to what she said as to the nuances in her  voice.  He heard nothing to enlighten him, except that she had reverted  to the  formal tones of early acquaintance. No revelation there; simply  the old  voice--cool, almost detached from personality, flexible and  vibrant,  suggesting potentialities of song.
"Are weddings interesting to you?" he finally brought out quietly
"When they are of friends, yes."
"Would you come if I asked you?"
"When is it going to be?"
"May," he replied briefly, after a long pause.
"May is the month of happiness they say," she said, with what seemed to him a shade of irony.
"They say," slowly, indifferently. "Would you come?"
"Why not?"
"No reason. I am just asking. Then you will?"
"If you will ask me," she said with disdain.
"Then I ask you."
"Then I will be there."
The  gravel road lay before them; at the road's end the lighted  windows of  the house on the hill. There swept over the spirit of Alfredo  Salazar a  longing so keen that it was pain, a wish that, that house  were his,  that all the bewilderments of the present were not, and that  this woman  by his side were his long wedded wife, returning with him to  the peace  of home.
"Julita,"  he said in his slow, thoughtful manner, "did you ever have  to choose  between something you wanted to do and something you had to  do?"
"No!"
"I thought maybe you had had that experience; then you could understand a man who was in such a situation."
"You are fortunate," he pursued when she did not answer.
"Is--is this man sure of what he should do?"
"I  don't know, Julita. Perhaps not. But there is a point where a  thing  escapes us and rushes downward of its own weight, dragging us  along.  Then it is foolish to ask whether one will or will not, because  it no  longer depends on him."
"But then why--why--" her muffled voice came. "Oh, what do I know? That is his problem after all."
"Doesn't it--interest you?"
"Why must it? I--I have to say good-bye, Mr. Salazar; we are at the house."
Without lifting her eyes she quickly turned and walked away.
Had  the final word been said? He wondered. It had. Yet a feeble  flutter of  hope trembled in his mind though set against that hope were  three  years of engagement, a very near wedding, perfect understanding  between  the parents, his own conscience, and Esperanza  herself--Esperanza  waiting, Esperanza no longer young, Esperanza the  efficient, the  literal-minded, the intensely acquisitive.
He looked attentively at her where she sat on the sofa, appraisingly, and with a kind of aversion which he tried to control.
She  was one of those fortunate women who have the gift of uniformly   acceptable appearance. She never surprised one with unexpected   homeliness nor with startling reserves of beauty. At home, in church, on   the street, she was always herself, a woman past first bloom, light  and  clear of complexion, spare of arms and of breast, with a slight   convexity to thin throat; a woman dressed with self-conscious care, even   elegance; a woman distinctly not average.
She  was pursuing an indignant relation about something or other,  something  about Calixta, their note-carrier, Alfredo perceived, so he  merely  half-listened, understanding imperfectly. At a pause he drawled  out to  fill in the gap: "Well, what of it?" The remark sounded ruder  than he  had intended.
"She  is not married to him," Esperanza insisted in her thin,  nervously  pitched voice. "Besides, she should have thought of us. Nanay   practically brought her up. We never thought she would turn out bad."
What had Calixta done? Homely, middle-aged Calixta?
"You are very positive about her badness," he commented dryly. Esperanza was always positive.
"But do you approve?"
"Of what?"
"What she did."
"No," indifferently.
"Well?"
He  was suddenly impelled by a desire to disturb the unvexed orthodoxy  of  her mind. "All I say is that it is not necessarily wicked."
"Why shouldn't it be? You talked like an--immoral man. I did not know that your ideas were like that."
"My  ideas?" he retorted, goaded by a deep, accumulated exasperation.  "The  only test I wish to apply to conduct is the test of fairness. Am I   injuring anybody? No? Then I am justified in my conscience. I am right.   Living with a man to whom she is not married--is that it? It may be   wrong, and again it may not."
"She has injured us. She was ungrateful." Her voice was tight with resentment.
"The trouble with you, Esperanza, is that you are--" he stopped, appalled by the passion in his voice.
"Why  do you get angry? I do not understand you at all! I think I know  why  you have been indifferent to me lately. I am not blind, or deaf; I  see  and hear what perhaps some are trying to keep from me." The blood   surged into his very eyes and his hearing sharpened to points of acute   pain. What would she say next?
"Why  don't you speak out frankly before it is too late? You need not  think  of me and of what people will say." Her voice trembled.
Alfredo  was suffering as he could not remember ever having suffered  before.  What people will say--what will they not say? What don't they  say when  long engagements are broken almost on the eve of the wedding?
"Yes,"  he said hesitatingly, diffidently, as if merely thinking  aloud, "one  tries to be fair--according to his lights--but it is hard.  One would  like to be fair to one's self first. But that is too easy, one  does not  dare--"
"What  do you mean?" she asked with repressed violence. "Whatever my   shortcomings, and no doubt they are many in your eyes, I have never gone   out of my way, of my place, to find a man."
Did she mean by this irrelevant remark that he it was who had sought her; or was that a covert attack on Julia Salas?
"Esperanza--" a desperate plea lay in his stumbling words. "If you--suppose I--" Yet how could a mere man word such a plea?
"If  you mean you want to take back your word, if you are tired  of--why  don't you tell me you are tired of me?" she burst out in a storm  of  weeping that left him completely shamed and unnerved.
The last word had been said.
III
AS  Alfredo Salazar leaned against the boat rail to watch the evening   settling over the lake, he wondered if Esperanza would attribute any   significance to this trip of his. He was supposed to be in Sta. Cruz   whither the case of the People of the Philippine Islands vs. Belina et   al had kept him, and there he would have been if Brigida Samuy had not   been so important to the defense. He had to find that elusive old woman.   That the search was leading him to that particular lake town which was   Julia Salas' home should not disturb him unduly Yet he was disturbed  to a  degree utterly out of proportion to the prosaicalness of his  errand.  That inner tumult was no surprise to him; in the last eight  years he had  become used to such occasional storms. He had long  realized that he  could not forget Julia Salas. Still, he had tried to  be content and not  to remember too much. The climber of mountains who  has known the  back-break, the lonesomeness, and the chill, finds a  certain restfulness  in level paths made easy to his feet. He looks up  sometimes from the  valley where settles the dusk of evening, but he  knows he must not heed  the radiant beckoning. Maybe, in time, he would  cease even to look up.
He  was not unhappy in his marriage. He felt no rebellion: only the  calm  of capitulation to what he recognized as irresistible forces of   circumstance and of character. His life had simply ordered itself; no   more struggles, no more stirring up of emotions that got a man nowhere.   From his capacity of complete detachment he derived a strange solace.   The essential himself, the himself that had its being in the core of his   thought, would, he reflected, always be free and alone. When claims   encroached too insistently, as sometimes they did, he retreated into the   inner fastness, and from that vantage he saw things and people around   him as remote and alien, as incidents that did not matter. At such  times  did Esperanza feel baffled and helpless; he was gentle, even  tender,  but immeasurably far away, beyond her reach.
Lights  were springing into life on the shore. That was the town, a  little  up-tilted town nestling in the dark greenness of the groves. A   snubcrested belfry stood beside the ancient church. On the outskirts the   evening smudges glowed red through the sinuous mists of smoke that  rose  and lost themselves in the purple shadows of the hills. There was a   young moon which grew slowly luminous as the coral tints in the sky   yielded to the darker blues of evening.
The  vessel approached the landing quietly, trailing a wake of long  golden  ripples on the dark water. Peculiar hill inflections came to his  ears  from the crowd assembled to meet the boat--slow, singing cadences,   characteristic of the Laguna lake-shore speech. From where he stood he   could not distinguish faces, so he had no way of knowing whether the  presidente was there to meet him or not. Just then a voice shouted.
"Is the abogado there? Abogado!"
"What abogado?" someone irately asked.
That must be the presidente, he thought, and went down to the landing.
It  was a policeman, a tall pock-marked individual. The presidente  had  left with Brigida Samuy--Tandang "Binday"--that noon for Santa  Cruz.  SeƱor Salazar's second letter had arrived late, but the wife had  read  it and said, "Go and meet the abogado and invite him to our house."
Alfredo  Salazar courteously declined the invitation. He would sleep  on board  since the boat would leave at four the next morning anyway. So  the  presidente had received his first letter? Alfredo did not  know because  that official had not sent an answer. "Yes," the policeman  replied,  "but he could not write because we heard that Tandang Binday  was in San  Antonio so we went there to find her."
San  Antonio was up in the hills! Good man, the presidente! He,  Alfredo,  must do something for him. It was not every day that one met  with such  willingness to help.
Eight  o'clock, lugubriously tolled from the bell tower, found the  boat  settled into a somnolent quiet. A cot had been brought out and  spread  for him, but it was too bare to be inviting at that hour. It was  too  early to sleep: he would walk around the town. His heart beat faster  as  he picked his way to shore over the rafts made fast to sundry piles   driven into the water.
How  peaceful the town was! Here and there a little tienda was  still open,  its dim light issuing forlornly through the single window  which served  as counter. An occasional couple sauntered by, the women's chinelas  making scraping sounds. From a distance came the shrill voices of  children playing games on the street--tubigan perhaps, or  "hawk-and-chicken." The thought of Julia Salas in that quiet place  filled him with a pitying sadness.
How  would life seem now if he had married Julia Salas? Had he meant   anything to her? That unforgettable red-and-gold afternoon in early   April haunted him with a sense of incompleteness as restless as other   unlaid ghosts. She had not married--why? Faithfulness, he reflected, was   not a conscious effort at regretful memory. It was something   unvolitional, maybe a recurrent awareness of irreplaceability.   Irrelevant trifles--a cool wind on his forehead, far-away sounds as of   voices in a dream--at times moved him to an oddly irresistible impulse   to listen as to an insistent, unfinished prayer.
A  few inquiries led him to a certain little tree-ceilinged street  where  the young moon wove indistinct filigrees of fight and shadow. In  the  gardens the cotton tree threw its angular shadow athwart the low  stone  wall; and in the cool, stilly midnight the cock's first call rose  in  tall, soaring jets of sound. Calle Luz.
Somehow  or other, he had known that he would find her house because  she would  surely be sitting at the window. Where else, before bedtime on  a  moonlit night? The house was low and the light in the sala behind her   threw her head into unmistakable relief. He sensed rather than saw her   start of vivid surprise.
"Good evening," he said, raising his hat.
"Good evening. Oh! Are you in town?"
"On some little business," he answered with a feeling of painful constraint.
"Won't you come up?"
He  considered. His vague plans had not included this. But Julia Salas  had  left the window, calling to her mother as she did so. After a  while,  someone came downstairs with a lighted candle to open the door.  At  last--he was shaking her hand.
She  had not changed much--a little less slender, not so eagerly  alive, yet  something had gone. He missed it, sitting opposite her,  looking  thoughtfully into her fine dark eyes. She asked him about the  home  town, about this and that, in a sober, somewhat meditative tone. He   conversed with increasing ease, though with a growing wonder that he   should be there at all. He could not take his eyes from her face. What   had she lost? Or was the loss his? He felt an impersonal curiosity   creeping into his gaze. The girl must have noticed, for her cheek   darkened in a blush.
Gently--was  it experimentally?--he pressed her hand at parting; but  his own felt  undisturbed and emotionless. Did she still care? The answer  to the  question hardly interested him.
The young moon had set, and from the uninviting cot he could see one half of a star-studded sky.
So that was all over.
Why had he obstinately clung to that dream?
So  all these years--since when?--he had been seeing the light of dead   stars, long extinguished, yet seemingly still in their appointed places   in the heavens.
An  immense sadness as of loss invaded his spirit, a vast homesickness  for  some immutable refuge of the heart far away where faded gardens  bloom  again, and where live on in unchanging freshness, the dear, dead  loves  of vanished youth.
 
